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William Shakespeare's A Midsummer Night's Dream takes place during, quite obviously,

a midsummer night in Athens. As the scenes change from the royal court of Theseus to

the magical wood of Oberon, the four lovers Hermia, Lysander, Helena, and Demetrius;

the mechanicals Bottom, Snout, Flute, Snug, Starveling, and Quince; and Titania,

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queen of the fairies, change as well. The changes that occur in these characters'

behaviors must happen in order to achieve both the comedic effect Shakespeare

intends and the happy ending the audience desires. The lovers and mechanicals

change in the wood because they enter the world of the fairies during midsummer

madness, and Titania transforms in the wood because she enters the world of the

mortals when she falls in love with Bottom.

The four lovers undergo transformation first, when they reach the wood of

Oberon and Titania. In the beginning, both Lysander and Demetrius love fair Hermia.

However, Hermia loves Lysander and Helena loves Demetrius, who does not love her in

return. After Puck places a love spell on Lysander and Demetrius, they both fall in love

with Helena. Helena feels the men are mocking her in her love for Demetrius. A

confused Hermia begins to resent Helena, and Helena believes Hermia is also making

fun of her. Things become extremely confusing and one expects uproarious laughter

from the audience. When Oberon discovers Puck's mistake, he reverses the spell, only

this time, he shifts Demetrius's original love for Hermia to love and devotion for Helena.

With the changes that transpire in the wood, as the result of Puck and Oberon's

mischief, the play ends happily for the four lovers. Since Demetrius now loves Helena,

Theseus overrules her father, Egeus, and allows her to marry Lysander, instead of

forcing her to join a convent or die for her true love.

While the men change their feeling for the women, the women remain constant

in their love for their men, yet they change their feeling toward each other. They both

feel that one mocks the other in an attampt to have the love of both Demetrius and

Lysander. What is ultimately important though, is that Helena and Hermia are steadfast

in their love for Demetrius and Lysander, respectively.

The mechanicals also undergo transformation in the wood outside Athens. As

Quince, Snug, Snout, Bottom, Starveling, and Flute meet to rehearse their play, they

each transform into the characters they are to be. As a result of Puck's roguishness,

Bottom's head turns into an ass's head, which becomes a hilarious pun on Bottom's

name. When the players convene at Theseus's palace, they also transform into the

play-within-the-play's characters, and some portray parts different from what they

rehearsed in the woods, which only adds to the comedic hilarity of the mechanicals. In

the woods, Snout becomes the lion, Bottom plays Pyramus, and Flute portrays Thisbe, a

woman. The transformation of Flute to Thisbe is quite interesting because his change

does not just involve behavior, but also sex. Poor young Flute must pretend to be a

woman and speak in high voice. Also in the woods, thanks to Puck, Bottom's head

turns into that of an ass. When he is returned to his original form, after having been

pampered by the fairies of Titania, he remembers his transformation as dream, which

only confuses him further, adding to the comic effect. His memory of the dream can only

be described as ironic when he says, "Man is but an ass if he go about to expound this

dream" (MND IV, i, 06-07). Bottom recounts the tale as something halfway between

dream and reality and wants to fashion the memory into a ballad for Theseus. In the

court, Bottom changes into Pyramus, when he is not interjecting himself into this lines,

Snout plays the wall (instead of the lion), Quince performs the prologue, Starveling

becomes moonshine (not the backwoods liquor, but the light of the moon), and Snug

plays the lion, but only after introducing himself as Snug, so as not to scare the ladies.

One final character to transform in the wood is Titania, queen of the fairies.

Oberon places a spell upon her so that, when she wakes, she will fall in love with

Bottom, who has an ass's head. Oberon does this only to spite her for not giving him

the changeling boy. Titania loves Bottom and has her fairies, Peasblossom, Cobweb,

Moth, and Mustardseed, attend to his every need. Titania's utter love and devotion for

an ass's head adds to the comedy of the play and reinforces the theory that love is blind.

Having lost her sight in love, she cannot see Bottom as an ass, only as the object of her

affection. When Oberon removes the spell, she regains her sight and is disgusted with

Bottom. Oberon only removes the spell because he is jealous of Titania's affection for

Bottom. His jealousy is one of the few constants in A Midsummer Night's Dream.

As one can easily see, with the transformation of love and hate in A midsummer

Night's Dream, the comedy intended by Shakespeare would be just that--a dream. Also,

the ending would become problematic, as Bottom would have an ass's head and Hermia

would be forced into an unwanted marriage, a convent, or death and Helena would be

left to live on with her unrequited love. The transformations of each of the characters in

A Midsummer Night's Dream are crucial to the comedy and happy ending of the play.

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