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"Marber's weakness is that he sometimes gambles on hands he shouldn't.

People like Patrick and me, who play poker to escape the rest of our lives, tend occasionally to play too loose for the hell of it It's a chance to defy rules we're not supposed to defy in other areas of life"

Replace 'Marber' and 'Patrick' in this quotation with 'Mugsy' or 'Sweeney' and you may well have a definitive reflection of two of the main protagonists in Marber's first work Dealer's Choice.

From this perspective, one could assume that the play serves as a self reflective documentary of Marber's life , closer analysis proves otherwise. It is this analysis which shows us that this work is not simply a reflection of either Marber's or general 'real' life; it does in fact deviate from this whilst still representing a reality. What follows is an attempt to highlight these deviances.

Dealer's Choice is a naturalistic play, the characters serve as

Slavish and superficial copying of the detail of reality.

Not only does each character have thoughts and feelings, but they also serve as representational figures of Society as a whole, for this part, characters like Frankie Sweeney or Stephen could be viewed as symbolic.

This symbolism in characters may be best served by two of the protagonists whose names alone serve as indication of their character functions.

Mugsy, a desperate, daydreaming, simple, looser is clearly as his name suggests, a mug. Addicted to loosing, Mugsy is the personification of his own name.

"… he's straight. For all his bull-headed stupidity, for all his relentless inability to recognise his own inadequacy, that man is psychotically alive." (Act Scene 4)

Ash is the second clear example of Marber's decision to personify features of characters personality. Ash; white, withered and the charred remains of a once burning fire, all features that could be applied to the character introduced in Act .

Immediately at his introduction Ash rocks the seeming stability of the restaurant, this pattern continues as we reach the denouement of the play.

It is apparent as we learn more of the character that Ash holds within him all of the features suggested by his name. He is older than the other characters (if only slightly more aged than Stephen), his attitude gives us an impression of a withering with this age and most importantly, we are given the sense that by being a professional poker player, Ash may have had the heated past adding the final dimension to the characters name and the suggestion that his title is by no means a coincidence .

Ash is hard and relentless when discussing with Carl the repayment of his debt

"Listen fuckbrain, you go to your nice father now and you tell him what a sad sorry little prick you are for spunking all his money and you tell him the truth and you promise him you'll never gamble again because you're a fucking loser and you get my money. Now." (Act )

The plot and events within this work are carefully chosen by Marber, whilst hardly coincidental that poker is the desired choice of setting, it serves as more than just a point of enjoyment and knowledge or semi-autobiographic.

Poker is a game of deceit, lies and emotional detachment for personal gain, the action unfolds behind masks, its action from start to finish is one masquerade. However, Marber does not settle for this, he pushes these practices on slightly further, not just one level, but a conclusive second.

Marber chooses not to simply subvert the regular; he chooses not to make the characters drop their 'masks' when in reality poker players would be donning theirs, he chooses not to provide these 'masks' in the first instance.

Frankie does not portray one character through Acts One and Two to change to another in Act Three, he continues to the poker game with the same previously provided energy shown throughout the previous two Acts.

The characters through the play are simple, arguably flat characters; they are consistently recognisable to the audience.

Dealer's Choice has within it many features that whilst being regular are not simply reproductions of 'real life', it is now apparent that the characters of the play through analysis prove to be more than just facets used by Marber to push along the themes and narrative of the play .

Marber, through themes, language and the above discussed characters serve to highlight that life may not be 'Hollywood' all of the time, it hints to the audience that life is mundane and often horribly (in the case of some of the characters within Dealer's Choice) crippling .

Dealer's choice in effect does not follow the regular pattern of narrative, whilst the play does start, develop and finish on the most simple of levels; its narrative is far more complex, Dealer's Choice, it's themes, language and characters are circular, in effect, Marber has chosen the play to start, develop and start again, thus highlighting life's repetition.

The fact that Dealer's Choice does this is the final conclusive point that the play is not a simple reproduction of life.

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