Friday, March 27, 2020

How do different characters show varying attitudes to love and behave in different ways?

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How do different characters show varying attitudes to love and behave in different ways?


Love plays a significant part in the play, "Twelfth Night". The theme of love runs throughout the play, weather it be the context of love between siblings, love for the opposite sex or the love a character feels for themselves. Every new character we meet is accompanied by feelings of love towards another character in the play, or is the object of someone else's affections. Act Scene 4 and act Scene 1 are both examples of these contrast and different approaches towards love.


"Twelfth Night" consists of many love triangles, the most obvious being that of Viola, Orsino and Olivia. This is mainly because they are being deceived by themselves and/or other characters that their love is really true love. There are some instances where the love a character feels for another is true and a great example of this type of love is Viola's love for Orsino.


In Act Scene 4, Viola and Orsino are debating the nature of love, it is now that Viola declares her love for Orsino, by saying that she knows "too well what love to men may owe. In faith they are as true in heart as we" Orsino himself is deceived by Viola's tactful references to her "sister" who "never told her love" and who's "history was a blank"


Nearer the end of Act Scene 4 we see how true her love must be when she says sir shall I to this lady?" Viola is aware of the obstacles that lie ahead, as she attempts to woo Olivia on behalf of Orsino. Yet she appears to show determination in completing this task, suggesting she is a very strong character, who can suppress her feeling of love for Orsino in order to please him.


In Act Scene 1, it is confirmed that Viola is the object of Olivia's affections, when Olivia proclaims her love for Viola. This is an awkward situation for Viola because she must hear Olivia's feelings and react to them as if she were a man. As expected she handles the situation expertly, speaking honestly to Olivia with replies such as "I pity you" and "that you do think you are not what you are" She stays loyal to Orsino through the conversation even if it is at the sacrifice of her own feelings.


In a nearly complete contrast, is the way Orsino reacts towards love. Orsino opens Act Scene 4 speaking of music "give me some music" just as the play begun "if music be the food of love play on". We have known from the very first scene that Orsino believes he is in love with Olivia. It is clear from an outside perspective though that the idea of love has enraptured him in the reason for his fancy and not as he presumes an undying love for someone else. This is noticeable earlier on in the play, but now it has become quite apparent. He starts off his debate of love with Viola by claiming that he is "unstaid and skittish in all motions else save in the constant image of the creature that is belov'd". Then later in the conversation he claims, "Our fancies are more giddy and unfirm, more longing, wavering, sooner lost and worn than women's are." We can therefore come to the conclusion that unlike he earlier claimed, his love is quite "unstaid and skittish" He seems more content in wallowing in self pity then getting up and trying to win Olivia's heart, which is why we can presume that the love he feels for Olivia is more than likely not to be true love.


In Act Scene 1, once Olivia and Viola are left alone, Olivia declares her love, to whom she thinks is a man namely 'Cesario'. The problems caused by Viola's change of gender have become more complex, now Olivia is attracted to whom she believes is the "perfect gentleman" The love which she feels for Cesario seems to overtake the seemingly controlled woman, and indicates a spontaneous side to her nature, after she has been turned down by Cesario she allows him to go. Then in desperation for him to return her feelings she virtually begins the conversation again by saying "I prithee, tell me what thou think'st of me" Her promises of celibacy and exclusion seem to be disposed of quickly, suggesting the love she feels may be the product of desperation for someone to care for and return her emotions.


This is why it is unsurprising that when she finds later on that she is married to Sebastian and not Viola that she expresses joy. This shows that Olivia's love was probably the result of attraction and not of love for Viola's personality.


In Act Scene 1 we also see another type of love, the love Sir Andrew feels for Olivia. Sir Andrew desperately once to gain Olivia's affection and is deceived by Sir Toby that he has a chance. He tries his hardest to make a good impression on everyone but manages to ruin it each time, for example how he greets Viola when he first meets her "dieu vous garde, monsieur" He is once again made a fool of though when Viola replies in French and he does not understand. Sir Andrew is a character who doesn't appear to fit into the love jigsaw that develops, but instead shows another side of the play; the side, which depicts loneliness and the need for someone else, "I was once loved" says Sir Andrew.


The comedy "Twelfth Night" revolves around the confusion and different reactions to love. It breaks all the rule of who should love whom and how they should love them. Love effects the way all the characters behave. "Twelfth Night is a play, which demonstrates many of the oddities of human nature and the need for personal desires and fulfilment and gives a completely new outlook on how you perceive love.


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